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Met Music
Vol 26 Issue 12 ~ September 25, 2003
Chorus of events at Metro
Atmosphere of emo-rap
Featured Show
 

Chorus of events at Metro
by Chelsy Klein
The Metropolitan

Club Dates

Bluebird Theater
•9/30 - The bell Rays, Nebula, The Flash Express
•10/2 - Pretty Girls Make Graves, Cobra High
•10/3 - My Morning Jacket
•10/6 - RX Bandits, The Stereo, The Format
•10/9 - Voodoo Glow Skulls,
•10/19 - Calexico
•10/25 - Mustard Plug
•10/27 - Catch 22
•10/28 - Phunk Junkeez
•10/29 - The Slackers, Moneen
•10/31 - Echo & The Bunnymen

Cervantes Masterpiece Ballroon
•9/26 - Cave In, Every Time I Die, From Autumn to Ashes, Funeral for a Friend
•10/14 - My Chemical Romance, Christiansen, A Static Lullaby, Vaux
•10/15 - Soulive, Michelle N’degeocello
•10/27 - Rufio, Over It, Motion City Soundtrack

The Climax Lounge
•9/25 - Numbers, Erase Errata, The Vanishing, My Calculus Beats Your Algebra
•9/26 - Swingin’ Utters
•10/7 - Nada Surf, Ozma, The Tide

Fillmore Auditorium
•9/26 - The Used, Yellowcard, Story of the Year, S.T.U.N.
•9/30 - Atmosphere
•10/1 - Dashboard Confessional, Brand New, MxPx, Vendetta Red
•10/3 - Queens of Stoneage, Distillers, Millionaire
•10/4 - Michael Franti and Spearhead, Garage A Trois
•10/10 - Ween
•10/14 - Marilyn Manson
•10/20 - Steve Vai, Joe Satriani, Yngwie Malmsteen, G3

Garageland
•9/25 - Stop it!!, Great Redneck Hope, Bailer
•10/1 - TORA ! TORA! TORRENCE!, Zombie Zombie, May Riots, The Situationsists

Larimer Lounge
•9/27 - Cordero, Trailer Bride
•10/3 - Midnight Evils
•10/5 - The Fire Theft, Laguardia
•10/12 - The Von Bondies
•10/29 - Over the Rhine
•10/31 - Pretty Girls Make Graves, Cobra High

The Lion’s Liar
•10/4 - Juliana Hatfield, Heidi Gluck, Freda Love
•10/9 - Toxic Narcotic, The U.K. Subs

Ogden Theater
•9/27 - Bowling for Soup, Lucky Boys Confusion, Never Heard of It, Army of Freshman
•10/6 - Helloween, Jag Panzer
•10/10 - Saves the Day, Taking Back Sunday, Monnen
•10/14 - Nile, Kreator, Amon Amarth, Vader, Goatwhore
•10/17 - MushroomHead
•10/18 - Sick of it All, Avenged Sevenfold, Glasseater, The Unseen
•10/20 - KMFDM
•10/24 - Stryper
•10/28 - King Diamond, Entombed, Nocturne, Single Bullet Theory
•10/30 - Ben Lee, Phantom Planet

A man playing a violin
 -Photo by William C. Moore

Thomas Kielmeyer, a choral music major at Metro, practices the violin during a string techniques class on Sept. 23.

The stage is set for an exciting semester of musical performances sponsored by the Metro State Music Dept.

Walter L. Barr, chair of the music department, and his well-trained staff of music professors, have arranged for Metro to host some of the state’s most exciting musical events. Metro will be host to many professional musicians including guitarist Paul Galbraith, who will be performing at 7:30 on Sept. 23 at the King Center. Galbraith was nominated for a Grammy Award in 1998 for his all-Bach CD; but that’s not the only thing that makes his appearance at Metro special. Galbraith plays the guitar, but this is no ordinary guitar: it is an eight-string unit that rests on a metal endpin, similar to that of a cello.

The music department has not forgotten about the students: There are student recitals at 2 p.m. every Monday and larger recital performances, such as the senior recital of Jennifer Petrie, tentatively scheduled for Nov. 1.

Among the highlights of the music department’s schedule are their annual celebrations. The celebrations range from a piano celebration to a full-bore jazz celebration in April in which there are three full days of jazz performances from both students and professionals alike. Barr suggested there might be a special surprise guest coming for the third annual jazz celebration. He explained that the celebrations are a way for Metro to reach out to the community and get their involvement and support.

For example, the choral celebration has tentatively gathered twelve choirs from local public schools to participate. The celebrations include clinics, workshops and performances by the staff and students, as well as professional musicians.

“Rather than just going it alone, and trying to do something just simply for only our students and using just that kind of base, we’re expanding the base to create these collaborations and to reach out into the community, which certainly parallels the mission and the role of what Metro is about,” said Barr.

Barr explained that there are a lot of terrific performances in-between the celebrations and he encourages all to come and see. He said that while most performances are free to the general public, there are some that the public will have to pay to see. Students with their IDs will still get free admission.

Barr beamed with pride when he spoke about his staff of professors and all of their accomplishments.

“The Metro Music Department is the only department of music in the state that has three faculty members in the 2002 and 2003 “Who’s Who of Jazz.” No other institution has that.” Those distinguished professors are: Ron Miles, Dr. Fred Hess, and Hugh Regan.

Barr also spoke of Dr. Tamara Goldstein who helps to set up the piano celebration here at Metro, and is also responsible for bringing musicians together for the Aspen Summer Music Festival. Barr made sure to mention that this is a very prestigious position, which includes working with artists from all around the world, including Julliard.

When asked about how the budget cuts have affected the music department, Barr said that they, like all of the other departments, have felt the squeeze, but Metro’s administration, including the Dean and the Provost, have been supportive. He said that the most devastating cut came in the form of scholarship reductions. “We’re hopeful that (the budget cuts) get better – quickly.”

Headlines


Atmosphere of emo-rap
by Tuyet Nguyen
The Metropolitan


Writing songs about your girlfriend is like a death sentence to emo row.

Just like “disco” was the lingo of the 1970s, “emo” has become the dreaded new buzzword for the 2000s. Any artist with even the slightest tinge of emotion in their music is suddenly branded with the term. There is emo-punk, emo-rock and even emo-metal.

Then there is emo-rap, the label sometimes slapped on Atmosphere, a hip-hop group from Minneapolis. Though there are a few contributors to Atmosphere, the group essentially revolves around rapper Slug (Sean Daley).

Slug, while full of street credibility from his talents as an MC, breaks hearts with his thoughtful, poetic and, yes, emotional lyrics.

In 2001, the group released “Lucy Ford: The Atmosphere EPs” the album which earned them a spot in the emo hall of fame, as the collection focuses on Slug’s relationship with his ex-girlfriend.

Moving out of little clubs to much bigger ones, Atmosphere will be rhyming on Sept. 30th at the Fillmore Auditorium.

Headlines


Featured Show


Some bands want pop hits; some bands want epic songs; and some bands just want to shake their hips. Tora! Tora! Torrance! is the band to see when all you want is some beats to scream and dance to. Their live show borders on manic, full of creepy organs, distorted guitars and vocals you can feel.

Minneapolis boys at heart, TTT’s sound is like a mix of New York rock frenzy with a touch of Seattle indie hipness. It’s punk rock in its delivery, but too modest for mohawks and leather jackets. No, TTT is not a punk band; they are a rock band with a serious attitude.

Without any major label backing, TTT has accomplished quite a lot with their “do-it-yourself” ways. They have toured numerous times and have achieved a loyal fanbase. Currently, they are on tour to support their second release, A Cynic’s Nightmare. They will be appearing on Oct. 1 at Garageland.

Some people like the pop hits, some people like the epic songs, but for those who want to flail their arms, clap their hands and gyrate their hips, they’ll be screaming Tora! Tora! Torrance!

Headlines

 

 
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