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ART
COMES FIRST
A peek at First Friday’s
local galleries
in words and images
By Heather Wahle • hwahle@mscd.edu
photos by Adrian DiUbaldo • adiubald@mscd.edu
“METALisms”

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The
Center for the Visual Art brings together an eclectic collection
of nontraditional pieces with one core element in common: Metal.
Metalworking is an art form all its own, and “METALisms: Signature
Works in Jewelry and Metalsmithing” spotlights the medium
in all its shining glory.
One of the purposes of this exhibition is to broaden the definition
of art beyond the ordinary. Art is intrinsic in the most unlikely
of places, including a cracked urinal or a heap of scrap metal. The
metal pieces in this exhibit range from the functional and practical
to the elaborate and abstract.
“
METALisms” include the collaboration of 63 artists, five
of whom are from Colorado. Ira Sherman stands out as one of the
most
notable local artists. Sherman specializes in larger scale metal
sculptures with futuristic qualities.
“
The Arbitrator” is a contraption more fitting for a mad scientist’s
laboratory than an art gallery. Composed of steel, brass and
plastic, the piece is an artistic exercise in metallic amalgamation.
What
results is a spiral of metal coils traced with blue tubes. The
practical function of the piece is not immediately apparent,
but it succeeds
in its sheer aesthetic daring.
“
Explosion Injection” is a similarly dominant sculpture
laden with futuristic components. The piece is composed of steel,
brass,
plastic and gunpowder. It resembles the silhouette of a ribcage
with red tubing flowing into an IV bag of copper accents.
This may be the last show for The Center of Visual Art, which is
managed in collaboration with Metro. The lease for the current location
expires in April and it is unknown if they will bid for a new lease
or acquire an extension.
“
METALisms” is on display through March 16th at The Center
for Visual Art, located at 1734 Wazee St. in LoDo. Gallery hours
are
11 a.m.-6 p.m. Tuesday-Friday and 12:00 p.m. -5:00 p.m. on Saturday.
Admission is free.
“ Ruth
Todd- A Tribute”
It’s rare to find an artist whose appeal can span generations
and enlighten audiences about the meaning of art; Ruth Todd does
both.
The Sandra Phillips Gallery is hosting a tribute to Todd, her
work and her legacy. Works from the artist’s personal collection
are now on display.
At 96, Todd still works on paintings and collages from her home
studio. She can reflect on days when she wasn’t only an
artist but a student, a model and a wife. After nine decades
Todd remains
devoted to her first love: art.
Growing up in rural South Carolina, Todd became acquainted with
art simply by chance. She claims there is no artist, mentor, or
piece of art that inspired her to paint and make collages. Instead,
Todd became an artist because of seclusion. Feeling alienated from
the world, she found she needed to find something to occupy her
time and creativity.
After moving to Denver, Todd became one of Colorado’s most
prominent artists in the ‘50s and ‘60s. Her art was
displayed at prestigious galleries in New York City and her shows
earned rave reviews in Art News magazine.
Her husband, who was a poet and woodworker, became a supplier for
her unorthodox art materials. Todd got her hands on unconventional
art supplies such as scrap wood, textiles and wallpapers, and quickly
began incorporating the materials into her pieces.
Todd received a considerable amount of attention for her unlikely
combinations, such as sawdust and oil paint. As a senior citizen,
Todd continues to incorporate what was once waste into elaborate
works of art.
Todd’s art has an immense range. She has done horizon pieces
with carefully broken slivers of wood, abstract works with charcoal
and siding, geometric shapes of leftover wallpaper and a host
of other material.
Todd’s art has an individualistic quality; it cannot be
contained or labeled. Her art may be disregarded, but earns respect
for its
unique appearance and keen recycling techniques.
Sandra Phillips Gallery is located at 744 Sante Fe Dr., gallery
hours are Tuesday–Saturday, 12:30 p.m. – 5 p.m. Admission
is free.
“ Lucong @ Space Gallery”
The first piece of art that captures viewers’ attention
when entering the Space Gallery is a featured piece by Denver
artist
Lucong.
The oil painting, “Farrah ‘06,” is striking
in every possible way. The hypnotic crystal blue eyes stretch
across
a large-scale canvas.
Lucong’s portrait uncovers a young woman candidly rendered.
She is shown with an alert expression, as if she were preoccupied
and caught entirely off guard. The painting renders Farrah like
a doe eternally caught in the camera’s flash and the stroke
of the paintbrush, and time is rapidly approaching, intimidating
the audience, much like her strong gaze.
The moment the artist captures within the piece illuminates a
breathless quality, the women mesmerizes with her eyes and her
expression
is evocative. Farrah is haunting and timeless. Extreme attention
to detail in the painting techniques allow for the portrait’s
background to contain an additional element, while blocks of
contrasting color give the art a pixilated effect. The painting
becomes much
more than oil, it mirrors a digital photograph distorted and
intensified.
“
Farrah ‘06” acts as a preview of the new Lucong work
coming to the Space Gallery. “Cadence,” will feature
new pieces by Lucong, Wes Magyar and Lui Ferreyra from May 7
to June 30.
Space Gallery is located at 765 Sante Fe Dr. and is open every
Tuesday-Saturday from noon – 6 p.m. Admission is free.
Above
right: An viewer takes a close look at Lu Chung’s art
at the Space Gallery on First Friday, a monthly event that features
later hours and new artistic works at Denver galleries.
Right: “The Arbitrator,” pictured here, was made by
Ira Sherman and is featured in METALisms, an art exhibition at
the Center for Visual Art on 1734 Wazee St. This may be the final
exhibit at CVA, as the facility, which receives funds from Metro,
is in danger of losing its lease.
Far right: First Friday pedestrians walk by the Sandra Phillips
Gallery located on Santa Fe Drive. The gallery is currently featuring
works by Ruth Todd, a 96-year-old artist, who uses diverse and
unorthodox materials to create her artwork.
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