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Review: Paris Hilton
By Nicholas Dewart
dewart@mscd.edu
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Paris Hilton
Paris
(Warner Bros., 2006) |
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Branding phrases, full-color advertising inserts,
a watch line and magazine-cover appearances, all done to saturate
pop culture
with your name and feed your business’ bottom line.
This
is not Donald Trump’s business-plan makeover. It is
Paris Hilton’s venture into music with her debut album
Paris.
Everything from Hilton’s first intelligible words – her
signature branding phrase of “That’s hot” – to
the CD insert advertising her handbags and watches makes this
album seem more like a marketing firm’s new approach to
promotion than an 11-song, major-label debut.
Hilton helped pen
five of the songs on Paris, including “Jealousy,” which
boasts the bridge lyrics, “Everything I did, I did because
I cared. So how did all the good between us get so bad? Maybe
some day we’ll get back what we had.” Hilton was
able to put a little of her Simple Life into this Scott Storch-produced
track and bemoan her estranged friendship with ex co-star Nicole
Richie.
In the electro-pop number “Turn You On,” Hilton
sings, “Sorry
I turned you on. Take a cold shower when you get home,” wittily
alluding that she’s “hot.” It’s that
branding thing again; she’s not rich for nothing.
On the
album, Hilton’s musical palate does venture into
a few genres including pop, reggae, dance, rock and even hip-hop,
the latter with the tune “Fightin’ Over Me.” This
track is the highlight of Paris because it features Fat Joe and
Jadakiss and does a good job of taking the attention off of Hilton’s
over-indulgent moans and coos, which are generously sprinkled
throughout the album.
Above all, Hilton is a businesswoman. She’s
smart enough to bring in big-name producers, from Storch, who
worked with
50 Cent and Beyoncé, to Lukasz “Dr. Luke” Gottwald,
who worked with Kelly Clarkson, to collaborate on this album
and clinch another share of bottom-line success.
Ultimately,
Paris is the musical equivalent of Shake ‘N
Bake. Anyone given the proper ingredients of high profile producers,
A-list songwriters, major label distribution and promotion can
cook up something tasty and consumable for the masses, but it’s
nothing to rely on for nourishment. |