Home > Metrospective
Wordplay – You Suck: A Love
Story
San Fran bloodsuckers in love By Clarke Reader
creader3@mscd.edu
|
|
You Suck: A Love Story
By Christopher Moore
$21.95 |
|
The title of Christopher Moore’s latest foray into horror
and humor is more than enough to make you stop dead in your tracks
and take a closer look.
You Suck: A Love Story is a brilliant
combination of vivid characters, witty dialogue and some genuinely
moving moments.
Despite the title, the novel is not a relationship
tome for couples stuck in a rut. It is about young love, but
the lovers of the
story are vampires in San Francisco.
Thomas C. Flood has just
been killed and turned into a vampire by his girlfriend Jody,
herself a vampire for only a couple of
months. She did not do it because she is evil or angry, but rather
because she was lonely and wanted to share her world with Tommy.
As would be expected, Tommy thinks loneliness is not the best
reason to kill someone and turn them into a creature of the night,
but that’s the price of love.
Now the 19-year-old Tommy
must not only navigate the dangers of being in a relationship,
but he has to do it while figuring
out how to drink blood, use his new vampire powers and cope with
the fact that he is forever sundered from the world and people
he knew.
Since he is 19, his hormones control his actions more
than his brain, and a good amount of comedy stems from his immature
course
of action.
There’s a host of bizarre characters in the
story, from the Emperor of San Francisco (a homeless man who
wanders the
city with his army of dogs) to Blue, a Las Vegas prostitute who
dyes her entire body blue, capitalizing on the popularity of
the Blue Man Group.
The standout by far, however, is Abby Normal,
a young goth girl who wants nothing more than to be a creature
of the night like
Tommy and Jody, and who becomes their willing “minion.” The
character’s innate cynicism and wit is a high point of
the prose.
San Francisco plays a crucial role in the story with
its various landmarks and seamy underbelly bringing out different
aspects
of the characters.
You Suck is a sequel to Moore’s third novel, Bloodsucking
Fiends, and overlaps with his most recent book, A Dirty Job.
To get a full sense of the story, both should probably be read
first.
Moore’s novels seamlessly fuse the unusual and the
menial, and he exhibits a rare skill in making fantastical events
plausible.
To Moore, it all makes sense.
The dialogue is brimming with humor,
sometimes subtle, sometimes flagrant and usually snide. What’s
more, the cultural references dropped left and right make for
some biting social commentary.
For fans of the horror genre,
comedy or a weird blending of the two, You Suck does the exact
opposite of what its title says. |