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Reel World: The Bridge
Troubled 'Bridge' over water
By Clarke Reader
creader3@mscd.edu
The Metropolitan archive photos
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The Bridge
93 minutes
Not rated
Opens Feb. 9 at Starz FilmCenter |
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The minute his feet left the steel and his body
flew into the air, Kevin Hines realized that he did not want
to die.
Although he broke his lower back, Hines survived the
jump. His
failed suicide attempt became one of the focal points of The
Bridge, director Eric Steel’s documentary about the dark
aspects of one of America’s signature landmarks.
San Francisco’s Golden Gate Bridge is a stunning architectural
achievement and one of America’s most recognizable landmarks.
Yet every now and then clouds from the bay float in, turning
this national treasure into a dark, skeletal, looming presence
that can barely be seen through the mist.
That’s exactly
the image that The Bridge seeks to create. The film is about
people who use the Golden Gate Bridge as a
place to commit suicide, making it – according to the film – the
place where more people chose to end their lives than anywhere
else in the world.
The film juxtaposes interviews with friends and family of people
who jumped from the bridge in 2004 with idyllic scenes of the
picturesque beauty of the bridge and its surroundings.
The Bridge is worth at least one viewing
to gain a deeper insight into those who struggle with these problems.
For those who have
a hard time with intense and disturbing films, however, this
may not be the way to go. There are even a few scenes of people
jumping.
For those who can handle the graphic footage and morose subtexts,
The Bridge is a stirring look into the eyes of a growing
problem in society and a thoughtful meditation on its solutions.
The interviews spotlight separate stages of the grieving process,
from denial that a loved one made the decision to take their
own life to parents attempting to justify why their child did
it. The rationales of the people dealing with their grief are
difficult to comprehend, but that’s the source of the film’s
power.
The people discussed in the film seem alienated from and disillusioned
with the world around them. The Bridge serves as a kind of warning
about what happens when feelings of solitude take root and continue
to grow unabated.
Hines’ firsthand account of the reasoning behind his
suicide attempt and the moments leading up to the actual jump
is both
terrifying and fascinating.
Suicide is always a sensitive topic,
but the film handles it tastefully. It is honest and blunt, with
no sugarcoating. It
allows the audience to see that a suicide does not merely end
one life, but profoundly affects the day-to-day realities of
families and loved ones.
Some find religion, others acceptance,
and some get mired in guilt over what they could have done to
help the person. All
are left groping for answers.
It’s an emotional punch in
the gut, a film that probably won’t be viewed repeatedly.
Even as this film will open many viewers’ eyes to a serious
problem, it will forever transform the image of the Golden Gate
Bridge in many viewers’ minds.
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